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A Tokyo Romance: A Memoir, by Ian Buruma
Free Ebook A Tokyo Romance: A Memoir, by Ian Buruma
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Review
“A triumphal narrative . . . a winning mix of nostalgic bravado and judicious self-deprecation.…luscious and precise . . . In a time when the country’s public image abroad consisted largely of manufacturing and geisha girls he located an avant-garde culture and entered it fully, unafraid of drunken excess then and unafraid of recalling it now. ” — Andrew Solomon, New York Times Book Review“Buruma is a keen observer and the owner of a well-provisioned mind. There are smart little junkets in this book into everything from Japanese movies (Buruma became a film critic for The Japan Times) to the country’s tattooing culture to its female elevator operators, about whom he made a documentary film. His prose is unflaggingly good.” — New York Times “[A]n unusually lucid writer. . . . Buruma paints a vivid portrait of his often mind-boggling encounters with the motley collection of artists, expats and eccentrics he befriended over his six years in Tokyo. And his honesty is disarming.” — AP"Oh my eyes. . . . the whole thing sparks astonishingly to life. We’ll come back to the details, lurid or otherwise, but for now all you need to know is that Buruma’s high-level immersion in the country’s culture begins with him tottering around on takageta, a high-heeled version of the traditional Japanese wooden sandals, and ends with him playing a character called the Midnight Cowboy in a play by the underground director and actor Kara Juro. In between, there are visits to porn cinemas, a string of lovers of both sexes, an appearance in a Suntory whisky ad alongside the great Akira Kurosawa, and a non-star turn in a butoh show in which he appears on stage wearing only a scarlet jockstrap." — The Guardian “Delicious… a wild ride through the late-20th-century Japanese avant-garde scene through the eyes of an innocent from across the sea.” — Kirkus, starred review“New York Review of Books editor Buruma reflects on his immersion in the artistic underworlds of late 1970s Tokyo in this lucid, engrossing memoir…Buruma makes the archetypal quest for home in a foreign land both uniquely personal and deeply illuminating.” — Publisher’s Weekly, starred review“With the insight and curiosity of someone on the outside looking in, Buruma describes a transformational moment in the making of modern Japanese culture.” — Booklist
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About the Author
Ian Buruma is the author of several books, including A Tokyo Romance, Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism, God’s Dust, Behind the Mask, The Wages of Guilt, Bad Elements, and Taming the Gods.
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Product details
Hardcover: 256 pages
Publisher: Penguin Press; First Edition edition (March 6, 2018)
Language: English
ISBN-10: 1101981415
ISBN-13: 978-1101981412
Product Dimensions:
5.9 x 0.9 x 8.6 inches
Shipping Weight: 13.3 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#200,479 in Books (See Top 100 in Books)
Ian Buruma has always been one of my favorite writers, especially in the way he uses insightful and precise language to capture the personalities of those he observes. In this case, through those characters and his relationships with them during the years he lived in Japan, he manages to capture an entire oeuvre as well, the avant-garde fringe theater and arts culture of Tokyo during the 1970s.I first lived in Japan as an undergraduate during the early ‘sixties, more than a decade earlier, but found in Buruma’s memoir many similarities in our experiences - and the lessons learned therefrom. Even within the more prosaic educational world of the university I attended, it didn’t take long to realize “once a gaijin, always a gaijin†was a necessary dictum to accept, however much one might wish otherwise.During my forty-plus years of teaching Japanese history at the university level that followed, I witnessed student initial notions of Japan shift from images of WWII, geisha, samurai and the atom bomb to fears of “Japan as Number One†and on to the Soft Power influences of manga, anime, Miyazaki and Murakami.Buruma reminds us all that there’s still much more to know about Japan beyond even these changeable and superficial idealized attitudes and images. On the basis of shared similarities and insightful observations alone, I can not recommend this memoir highly enough. It brought back memories and provided both confirmation of my own experiences and insights into a layer of Tokyo life and culture, recognizable but unexperienced.
What a marvelously evocative memoir! With insight, candor, and humility, Buruma guides us through the teeming world of Japan's late '70's avant-garde. It's a fascinating slice of post-War Japanese history that's been right under our noses, yet largely unknown. A gifted narrator, Buruma expertly sets the scene and shows us the places and personalities from this world that shaped his growth.Buruma is particularly good in two tricky areas. First, he does a great job conveying the subtleties of being a foreigner in Japan -- where one is lionized, after a fashion, and yet always kept at arm's length (then and now, it must be said). Buruma gets the balance just right in explaining both the attractions and the deep frustrations of the gaijin's experience. Second, he describes with tact and honesty the libidinal pull between East and West, a complex dynamic that could so easily descend into stereotypes, but in his telling never does."Romance" reminded me of John David Morley's unjustly neglected, "Pictures from the Water Trade," an autobiographical novel that plumbs many of the same depths. Both are coming of age stories that sparkle in their elucidation of Japan.
Buruma, of Dutch and British background, lived 6 years in Japan in the 70’s. He was a photographer and writer there, attaching himself to various Japanese groups and observing their lives and culture (now the editor of The New York Review). The book is lively, full of personal experience and insight. I found it convincing and great fun to read!
Great author, never disappoints.
An extraordinary and honest insight of the less spoken of atmosphere of the creative underground of Tokyo in the 70's. All became somebodies!
Loved every single page of this book. Great writer with an interesting perspective about our own cultural identity/identities in a foreign country. Recommended!
A wonderfully written, intriguing, often amusing and surprising, and very frank memoir.
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